Friday, June 24, 2011

Interview: John Barker from 98FM'sTotally Irish


John Barker may not be a name you are familiar with, but he is one of the most important men in Irish music today. As the Presenter of 98FM's Totally Irish, Barker champions Irish music, often bringing it to the mainstream media for the very first time. Most recently debuting Zombie Cops new single "You Do" on the show. Barker has also championed AIMR favourites Sacred Animals and Squarehead.  

We caught up with him to discuss his take, on the Irish music scene today. His "top tips" for the future and his plans to make Irish radio, totally Irish.

Did you always want to be a radio presenter?

Well I always wanted to be involved in the media in some form, but probably more as a journalist. Then in 2004 my friend Daragh O’ Tuama and I began presenting a show called Abú on Dublin City 103.2 FM once a week and the hook was quickly lodged...
 
How did you come to present Totally Irish?

I had been working on the radio show Splanc on Newstalk 106-108FM every Friday night for 3 years doing sports and entertainment when the opportunity came up in January 2010.
 
Music is obviously an important part of your life. Where you in bands growing up?

Hmm yes I was in a band for a year back in 2000. I was the lead-singer who constantly sang off key but didn’t know any better. We made an EP that cost us a lot of money and we gave it to everybody we knew. In hindsight we shouldn’t have, it really wasn’t very good...I still play guitar and record songs on a cassette dictaphone. I learnt my lesson though and keep all the tapes in a shoe-box.
 
Who are your favourite bands, be it Irish or international?

This answer could be pages long...Some of my favourite Irish bands at the moment are Funeral Suits, Fight Like Apes, Villagers, O Emperor and The Cast Of Cheers.
My favourite international bands are Beirut, The National, Sufjan Stevens, Ryan Adams and Interpol.
 
Have you always had it in your mind to champion Irish music?

Yes, as soon as I started in radio I had an idea of doing an Irish music show that would promote up and coming bands and create a platform for their music to be heard.
 
The show is very detailed in relation to where bands are playing next and release dates Do you compile all this information yourself or do you have a research team behind the scenes?

I do it myself as I like to know what I’m going to be talking about as much as possible. My colleague Shane Prunty also does a lot of work on the show every week.
 
Do you go to many gigs looking for new bands and new music or do you rely on bands sending you demo's and links etc?

It’s probably a mixture of both. I go to a lot of gigs and have discovered the likes of Planet Parade, O Emperor, Sweet Jane and Enemies from seeing them play live. However, through cds being sent in and reading music blogs etc, I’ve discovered artists such as Jennifer Evans, The Danger Is, Sacred Animals and Our Little Secrets.
 
What should bands do, or not do, to give themselves the best chance of getting their song on the radio?

I guess pretty obvious stuff like making sure the recording quality of the song is good and that the song is a little bit original and catches the attention of whoever is listening to it. I think there are some Irish bands who are reluctant to take risks with their music and instead play it safe, when it might be better for them to experiment with their sound...and, I know this is a cliche, but have faith in your music, because if the song is good enough chances are that somebody will pick up on it, whether it’s a radio station, a music blog or another band tweeting their recommendation.

You present the show in both English and Irish do you enjoy a "cupla focal" outside work?

Yes I have a degree in Irish from N.U.I. Maynooth and am also an Irish & English teacher in a secondary school in Dublin.
 
Do you believe that an Irish band can do a Super Fury Animals and bring the mother-tongue to the mainstream. If so who?

It is weird how Welsh is perceived as being a ‘cool’ language and Irish isn’t. I guess it would be seen as being too risky to release music in Irish and I’m not sure it would work in mainstream music anyway. It’s hard enough as it is for Irish bands to get radio play! However If any one can do it I’m sure Jedward can. I don’t know how that would go down with all the gaeilgeoirs though.
 
You are very careful (or so it seems) to ensure the show is not Dublin-centric. Where are the best music scenes outside of Dublin?

To be honest there’s an amazing music scene all over the country at the moment. I get cds and emails from bands from nearly every county in Ireland. Outside of Dublin there’s a really good music scene in Galway (Daithí O Dronaí, Go Panda Go, The Kanyu Tree, Milan Jay, Lost Chord etc) and there’s also some amazing bands from the North (Japanese Popstars, Cashier No 9, ASIWYFA, Yes Cadets, The Lowly Knights, Paul Shevlin etc).
 
What Irish bands get you going at the moment?

There are loads...I really like the new stuff from Funeral Suits. Joshua from Japanese Popstars is a great song. I saw James Vincent McMorrow in The Pepper Canister Church recently and have been listening to his stuff more and more. The Sounds Of System Breakdown have a new EP out called Colour which I like. Also a new one from Delorentos called Bullet in a Gun, check them out on YouTube playing it on the streets of Madrid, nice...
 
Who are your tips for success for the remainder of the year and beyond?

I think Spies are going to be really big. I bought their single Barricade in Tower Records a few weeks ago and saw them at Forbidden Fruit where they played an amazing set on the Lighthouse Stage...Another young band who I really rate for the future are The Kapitals. Am also really looking forward to albums this year from The Ambience Affair, Sacred Animals, Planet Parade, Jennifer Evans, The Danger Is, Cashier No. 9 and Squarehead.
 
Who do you believe is the most criminally overlooked Irish artist or band of all time?

When I was growing up I could never understand how Revelino weren’t more successful. Happiness Is My Mine is an all time classic. Myself and my friends used to go to every one of their gigs and we let them know it too!
In more recent times I’m not sure how last year’s album from The Rags A National Light didn’t lead to them becoming more successful??
 
Why are radio stations reluctant to promote new Irish music outside the confines of shows like yours. When the quality of music is so strong?

I really don’t understand it myself and it’s the biggest complaint I hear from anybody involved within Irish music. A lot of station’s playlists are like exclusive clubs. I do honestly think it will change though. If the Irish music scene continues to grow and develop amazing bands over the next few years then I really hope that radio stations will have no choice but to include Irish artists more. In saying that DJ’s such as Cathal Funge, Dan Hegarty and Donal Dineen already do a great job promoting Irish music.
 
Would you like Totally Irish, to expand beyond radio ie compilations, gig promotion or even television?

Yes , there are plans for hosting Totally Irish gigs in a venue in the city centre throughout the year and this will hopefully begin in September. We did look at creating a ‘super-group’ of Irish musicians for a Christmas single last year and might try to do it this year. Releasing a compilation album would also be very interesting to do. As for television, sure why not?
 
You can listen to Totally Irish with John Barker every Sunday, between 8-10pm on 98FM. For further information check out http://www.98fm.com/onair/shows/totally-irish/


Sunday, June 19, 2011

Review: Le Galaxie album launch The Workman's Club.

On Friday night electro scientists Le Galaxie conducted a large scale experiment on a throbbing fee paying, general public. The aim of this experiment? To release mankind's inner robot. In the early hours of Saturday morning independent observers pronounced this experiment, a resounding success. Test subjects were injected with Le Galaxie's newly patented serum Laserdisk Nights 2, which yielded instant results.

Le Galaxie used certain triggers including: Tron cube, glow sticks, fluorescent body paint, pulsating indie electro, and hands in the air moments of unity.  As these triggers were introduced subjects could be seen to move uncontrollably. At first foot tapping and head nodding was recorded. Then as glow sticks were introduced, hands went in the air and euphoric smiles appeared on faces. Slowly but surely each subject released their inner robot. Independent observers recorded movements such as "big fish, little fish cardboard box". In some subjects the serum proved more potent and the moves "Swarm of flies" and  "Wobbly cross" were also recorded.

Through the medium of electronica the Le Galaxie scientists pounded the stage in the Workman's Club, delivering thunderous beats and bleeps The guitars and drums in particular, more prevalent than on the record. The emphasis throughout the performance was placed on giving the audience a good time and the set reflected this. Only full-on tracks such as "Orion" and single "Midnight Midnight" would pass muster this evening.

A thoroughly spectacular performance by a band that is on the cusp of the big time. MCD take note this is a main-stage act with main-stage material. In fact you can send Beyonce back. This is where it's at.

Thursday, June 16, 2011

Video: Kowalski new single Outdoors

Kowalski previewed their forthcoming single Outdoors on All Gone Pop TV. The single is the first new material proper to be released since the release of their stunning debut EP "Take Care, Take Flight".  Outdoors also sees Kowalski join forces with new UK based indie label Everybodystalking.  In the video Kowalski perform as a trio, minus the comedy stylings of Tom O'Hara on bass (bring back Tom). As you would expect the track is sun kissed with just a dash of sadness.

Wednesday, June 15, 2011

Video: Ham Sandwich - Models

Here is the video for Models the latest single from Ham Sandwich. It features footage of the band recorded live at The Academy in Dublin (always a good show) mixed with on the road footage. Undoubtedly its best moments feature the crowd being covered in ticker tape. As for the song, well that's not bad either.

Tuesday, June 14, 2011

Review: Red Brick House - EP

Following a successful appearance at this years Temple House Festival.  We thought it was about time we checked out Sligo quartet Red Brick House's self titled debut EP. 

It's a  four song collection of well crafted up-tempo indie tunes, with big guitars and big drums. While lead singer Patrick Leydon has a good voice, that moves from gravelly indie anger to pop with ease.

Opening track "In My Head" is full of choppy guitar riffs and a catchy chorus. Think Milburn. "Daydream" is a radio friendly song. Nada Surf via Sligo if you will. It is a strange yet potent combination  The vocal delivery has a hint of Duke Special to it. Some very hummable backing vocals by Les Finan (guitar) keeps this song returning to your mind time after time.

A hail of drums, cowbell and muted guitar stabs leads us nicely into "Not The One". A funky bass led relationship P45. Once again the song is delivered with panache. With special mention for the rhythm section of Peter Murray and Danny Young, who are the stares of the show on this track. 3 songs in and Red Brick Houses are shaping up to be a very accomplished and versatile band.

Propelled by big drum beats and grime filled choruses closing track "Broke The Law" is the pick of the bunch. A throbbing blues tinged track with hints of modern shoegazing acts such as Black Rebel Motorcycle Club, combined with classic 80's rock guitar stylings. This track has single written all over it.

The EP is available for download free of charge from Bandcamp
Check out http://redbrickhouse.ie/ for more info on the band.

Monday, June 13, 2011

Review: Satelite Generals live at Whelan's

There is a spark about Satellite Generals.  They subliminally project a musketeer vibe, an undefinable on stage togetherness that makes them a believable band.

They kick things off with a heavily accented Kings of Leon style drum beat on "Kings and Queen" which instantly displays the vocal prowess of lead singer Niall Rogers. It's unusual to see a band with 3 people playing drums at the same time. The bombastic fills of James Rogers are joined by synth player Eddy Edmondson on a mini percussion set-up. While bassist Jay Duff plays a floor-tom, adding texture to the song. Which is at its best in the chorus when Niall Rogers and Jay Duff combine lead vocals.

"Neck Ties" has a somber summer feel, with a guitar line you might expect to find on a Two Door or Kowalski song.  "Matador" is led by some more nifty bass riffs and a catchy "wahow oh" chorus. It's a quality radio friendly pop song, with single stamped all over it.    
Unfamiliar Roads is another radio friendly alt-pop song. Delivering elements of early Coldplay and White LiesRodgers vocals are reminiscent of lather day Jesse Lacey. Once again Satellite Generals have managed to weave the backing vocals in and out to great effect. They finish off  their set with a cover of the Strokes "Someday".

Satellite Generals, truly display the makings of a quality band and we will certainly be back for a second look.





Saturday, June 11, 2011

Review: Alarmist at Whelan's

Alarmist are definitely not a gateway drug to math-rock. They are at the cold face of of the equation. This Dublin based instrumental quartet owe a lot to modern orchestral music as well as their math rock peers. It came then as no surprise to discover that they are players in the Trinity Orchestra.  Who you may have seen at this years Forbidden Fruit festival. 

Indeed many of their compositions would probably wow a musicology professor due to the unusual time signatures and instrument hopping melody lines. But does your average gig goer or math rock enthusiast want the same things as a music professor. Probably not. More than likely they want to dance or jump around

Luckily for Alarmist
 songs such as Vitamin Saturday, offer up the goods to both gig goer and music professor alike. A juxtaposition of metallic sounds against Sigur Ros style minimalism set against sweeping jittery guitars and synths.  

The influence of Frank Zappa is audible on Giraffe Centre as the bass clarinet mixes with atmospheric synths and jittery guitar lines. All of this as with Zappa is held together by the bass. And while music professors will approve of the theory behind instrument hoping. The audience is visually stimulated with a will he, won't he, sense of suspense, at the execution of these melodies. 

Alarmist are definitely for fans of the Richter Collective's stable of acts such as Enemies and Bats.