Saturday, March 24, 2012

Review: The Shins - Port Of Morrow

Following the breakthrough success of 'Wincing The Night Away' James Mercer did what any self respecting musical despot would do, sack the band and start again. The results predictably are the same, only slightly different. Port of Morrow ticks all the boxes of the previous albums with lashings of happy/sad mock British cynicism and self-loathing set against bouncy bass riffs and breezy mid-tempo ballads. The Smiths, Belle & Sebastian, and Camera Obscura, remain the blueprint from which Mercer draws from. However there is a notable shift towards US folk storyteller style compositions which may divide listeners.

'The Riffle's Spiral' commences the album in a suitably wordy fashion as Mercer draws upon his seemingly endless vocabulary. The music however has a more bombastic electro dance-rock feel than previous offerings  First single 'Simple Song' is a more traditional Shins effort, showcasing Mercer's classic songwriting skills with shimmering guitars and silky bass lines weaving below his falsetto vocal. Most of the songs hinge on Mercer's vocal. His ability to move between falsetto and baritone is world class and most of the singalong moments come in the higher male register. 'Bait and Switch' delivers such a moment of high pitched wonderment "I'm just a simple man cursed with an honest heart". Would be single 'No Way Down' stands out because of its bouncy bass and guitar interplay and witty lyrics such as "Apologies to the sick and the young. Get used to the dust in your lungs"

The album has a more mature alt country feel on many of the tracks, which seem more retrospective than the angry in the now angst The Shins built their reputation upon. For this reason 'Port of Morrow' is less instant than the previous Shins albums and must be labelled with the ominous charge of being 'a grower'. 'For A Fool' is the best of these mid-tempo offerings. A beautiful song with a heavenly chorus of "Taken for a fool, yes I was because I was a fool"  There's a whiff of Steely Dan about "Fall of '82" which cements this move towards Americana, which may divide fans. Title track 'Port Of Morrow' a jazz fuelled mix of Portishead and Radiohead, closes the album in considerable style. The string arrangements combine wonderfully with Mercer as his gritty falsetto steals the show.one last time.

Port of Morrow, doesn't reach the dizzying perfection of Wincing The Night Away, but this is by no means a bad way to follow up your masterpiece.

Monday, March 12, 2012

Review: The Walls - Stop The Lights

'Stop The Lights' is the latest chapter in the eventful lives of  The Walls. Following the split of the vehicle for their first brush with fame The Stunning, Joe and Steve Wall found themselves in major label limbo for several years. The label didn't like their name and tried to saddle them with pathetic alternatives. This led to a breakdown between the two parties and The Walls eventually returned to Ireland and their major label début never saw the light of day. 

Undeterred, The Walls started a fresh eventually releasing Hi-Lo in 2000 which spawned the hit 'Bone Deep'. Whilst a vanishing master tape led to "To The Bright and Shining Sun" being inescapable in the summer of 2002 via an extensive AIB advertising campaign. 2005's album 'New Dawn Breaking' divided fans and critics alike, such was the major change of direction from electro tinged bass-heavy pop, to more traditional folk rock material. Their new album 'Stop The Lights' sees them reach a happy medium between their two previous albums, whilst also progressing simultaneously in a new direction. The result is their best album to date.

The album opens with single 'Bird In A Cage' an autobiographical chronicle of The Wall's moving from Dublin to Galway in their youth. Their struggle to adapt and integrate into a rural setting, and how Galway then shaped their lives.  This track also seems like an unspoken ode to their parents.  Single 'Phantom Power' is a jaunty track which sees Joe Wall, deliver an impressive falsetto throughout the verses. His brother Steve Wall, has always had one of the most distinctive and instantly recognisable voices in Irish music, but his voice has never sounded as vital as it does on this album.

Lyrically the album centres on Irish life, past and present, with references to the famine, emigration, and in particular references to the current recession. The lyrics also use many colloquialisms such as the title track 'Stop The Lights'.  This track finds The Walls, in fan-friendly uptempo bass-heavy territory, with hummable radio friendly melodies combining slickly throughout.  'The Great Escape' is an unexpected atmospheric treat, built on a dark bed of orchestral sounds and Arcade Fire-esque drums. There's a hint of U2 about would be single 'It Goes Without Saying'. 'Dead Flowers' the rockiest track on the album, will no doubt be a live favourite for years to come, with its crunchy bass line and sing along chorus of "What goes around is gonna come around".

'Carrying The Fire' the first single to be taken from the album (way back in 2010) is yet another radio friendly gem. Unusually it's an emigration tale, based on the Irish flight from the famine to a better live in America. It's a timely reminder and testament to the Irish spirit, which will resonate with the new diaspora around the world.

'Stop The Lights' may have been seven years in the making but it was well worth the wait. The Wall's are back, and back with a bang.

Saturday, March 10, 2012

Video: We Cut Corners - Toll Free

Yet another highly creative video from Ireland's premier musical duo We Cut Corners. 'Toll Free' sees the band utilising multi-camera face projections to create an unusual jagged visual experience. The song is one of the more raucous offerings from their debut album 'Today I realised I could Go Home Backwards'.

Friday, March 9, 2012

Video: Le Galaxie - Powers of Miami

Taken from 'Laserdisc Nights 2' one of the best albums not to win the Meteor Choice Music Prize 2012  "Powers of Miami" sees Le Galaxie unleash another electro dance bomb on the general public.


Le Galaxie - Powers Of Miami from Mark Duggan on Vimeo.

Wednesday, March 7, 2012

Video: The Ambience Affair - Fragile Things

"Fragile Things" is the latest single to be taken from The Ambience Affair's beautifully bleak debut album Burials. 2011 was a great year for the band. They released one of the finest Irish albums of the year and cemented their reputation for delivering intense and captivating live performances, with a successful nationwide tour. The band will be looking to crank up their momentum in 2012 with more touring and festival appearances. 



Upcoming live dates:

Thursday, March 1, 2012

Electric Picnic 2012 lineup

The lineup for this years Electric Picnic has been released with acts such as The Cure, Sigur Ros, and Elbow standing out at first glance. Other standout acts include The Horrors, Grizzly Bear, Metronomy, and Baxter Dury. While it's great to see AIMR favourites and Irish dance stars Solar Bears, included in the lineup.

Tickets are €230 for a weekend pass, Family camping costs €230 per adult and two U12 kids are free, Sunday passes are €99.50 and Campervan tickets are €60. Tickets on sale Friday 2nd March.

Electric Picnic 2012 Lineup

The Cure, Orbital, Sigur Ros, Ed Sheeran, Grizzly Bear, The Roots, Hot Chip, The XX, Elbow, Bell X1, Christy Moore, Glen Hansard, Metronomy, The Horrors, Azealia Banks, Roots Manuva, Staff Benda Bilili, Milagres, Alabama Shakes, Cranes, Little Roy, Land Lovers, Baxter Dury, Jonathan Wilson, Solar Bears, Fatoumata Diawara, Willis Earl Beal, Lanterns on the Lake

Friday, February 17, 2012

Interview: Red Empire

Red Empire launch their "Strange Philosophy" EP in The Village this Saturday (18th) We caught up with lead singer Craig Cahill and multi-instrumentalist Gar McCarthy as their début release is about to be unveiled to the world. We discover how they didn't let a little thing like the Liffey, get in the way of making music. How hometown dreams are about to become true and how they owe it all to the fans.

How do 5 guys from the 4 corners of Dublin come to form a band?

It was mostly through a mutual friendship. Myself and Gar had been playing together since we were 15 and similarly Richie, Dessie and Deco had been in a band together for a long time. About five years ago they went into the studio with Joe Jewell (Aslan) to start recording some demos. Those sessions went really well and they led to the lads wanting to add a singer and a keyboard player to the line-up. Luckily enough Joe knew gar and me from some previous recording sessions and at the time we were looking to move on to a new project. We already knew the lads and had met up for pints with them on a few occasions and appreciated each other's music so the scene was set. We started rehearsing together and it just clicked and here we are now as Red Empire.

How would you best describe your music?

First off, we'd say that it's full of heart. We appreciate good honest well-written songs and have never been afraid of melody - in a lot of music out there at the moment there seems to be a lack of new and honest melody. The fact that Gar and Richie are two very different songwriters from two very different backgrounds we feel we've got the best of both worlds. Richie is an instinctive ballsy songwriter whereas Gar's songwriting and study of music allows us to explore our music with greater depth.

Who are your influences?

Well, you spoke about the four corners of Dublin in your first question and because we all come from different backgrounds we're all into different music. There's a lovely cocktail of influences going on in the band from Radiohead to Orbital to Oasis to the Smiths.

Tell us about your new EP?

It's our first release as Red Empire and is therefore very special to all of us. It contains three tracks: Denial, Strange Philosophy and Hotel. We feel that it's a great introduction to the band and our sound. There's a song for breakfast, dinner and tea. It moves from a song about admitting when you've failed to one about not admitting when you've failed and finally to a song about sexuality. An unusual combo but there you go!

Tell us about the video for "Strange Philosophy" the lead track from the EP?

Well, Joe (our producer) came up with the original concept. Paul Andrews, who looks after the photography and day-to-day running of the band, was talking to his friend Daragh (Daz) Murphy who is a video Director and Editor and he came on board after speaking with us about the song and the concept behind the video. The idea behind the masks is that when people go to see a band playing live they experience being a part of the band. We felt that by giving people a random mask of any member of the band that this would increase that experience. The song itself is a movement from a cool funkiness to full-on rock. We felt that the suits represented the cool funkiness of the verses and the full-on rock is just us being us.


You are opening for Aslan in Tallaght Stadium later this year. It must be an exciting yet daunting prospect. Perhaps doubly so for the hometown boy in the band?

Yeah, we're really looking forward to it. It's going to be a great gig and we think it will be one of those legendary days out in Dublin that people will talk about for years. There's going to be a crowd of around 20,000 so it will be amazing. I grew up in the area so it will hold a special significance for me. I'm dying to play in my hometown i have to say.

How much of an influence have Aslan been both musically and personally on red empire?
Well, Joe has been a friend for many, many years. To be honest we have nothing but admiration for the way that they have worked over those years. When you look at it objectively – they’re bands who for thirty years have worked fairly continuously on the domestic market without any major label backing for the majority of that period. I don't care what level of the music industry you may be working at you have to stand back and admire that kind of drive, determination and longevity. They have created an amazing body of work of those years.

What current Irish music has had a positive influence on Red Empire?

As i was saying earlier we're all different people and we listen to different music, very different music in some cases. Some of the Irish music that's come up in conversation over the last while and that we all admire are artists like Villagers, Damien Dempsey, James Vincent McMorrow, Funeral Suits, Royseven and The Ambience Affair.

Who is the band's unsung hero?

There's quite a tight-knit group of fans that have followed us since the early days. They can point out to us when we've changed something in a song or tried something new. We would say that collectively they are the unsung heroes of the band. They give us the motivation to try new things and to improve the music all the time.

What's next for Red Empire?

First of all we hope that everyone enjoys the EP. We are constantly working on new material and allowing the songs to evolve. Since we formed we have written and recorded a large number of songs and we will be releasing another EP in early summer. We really like the idea of releasing multiple EP's with each EP having a different feel and a different atmosphere. We feel that this approach allows us to be more creative rather than being tied down by the rules of an album. We're living in the digital age and the musical landscape is changing all the time and we as a band want to exploit that. We're also thinking about writing a musical about the recession but we'll leave that 'til another day…only messin'!

Red Empire play The Village this Saturday (18th) doors 8pm Admission €5