You’ve got to respect Kate Nash for her unwillingness to simply make ‘Made Of Bricks’ Part Deux
and follow the sugar-pop keystrokes all the way to the bank. Instead
she has chosen to put the keyboard in storage indefinitely and focus on
playing the guitar and bass in a major change of direction which has
been described as “career suicide” by NME.
Of course this metamorphosis into punk mistress is by no means an
overnight gestation. The warning signs were present on Nash’s
interesting second album ‘My Best Friend Is You’, that she was in a
state of creative flux, experimenting in different genres and dipping
her toes into punk rock. The results were not as compelling as ‘Made Of
Bricks’, but still contained enough pop to support her fan-base’s
enthusiasm. But with the release of single Under-Estimate The Girl,
it would seem that she has abandoned her pop sensibilities altogether,
and may very well struggle to carry her fan-base along for the punk
joyride.
Kate Nash strides on to the stage at Whelans with her all girl band
in tow. She’s wearing a wedding dress because she informs us she’s “jealous” of her sister who is getting married in Ireland later this year. She tells the crowd that she now has “an Irish passport” and that tonight she would be playing “new songs”.
And here is where the problems begin. The ratio of new to old songs was
heavily lopsided in favour of new material to the point of overkill.
It’s too much to expect fans to absorb an entire albums worth of new
material and covers of Cub’s My Chinchilla and Fidlar’s I Wanna Be Your Cocaine, for good measure.
Unsurprisingly her breakthrough hit Foundations was the best
received song of the night, but the band’s performance of this fan
favourite was lack luster, to say the least. The 3 piece “girl gang”
as Nash refers to them, are nothing special musicianship wise and it
seems strange that, for all of Nash’s girl power rhetoric, she has
failed to assemble a killer all-girl band, to back up her equality
manifesto. Indeed Nash resembles a girl having a My Sweet 16 tantrum at
times, wildly ranting and screaming shrilly, rather than singing
throughout much of her new material. The covers she plays are noticeably
superior to her unknown material, while the opinion splitting Under-Estimate The Girl
is (by some distance) the best of her own compositions. Far too often
the new material is origami Clash, rudimentary and weak, compared to the
material of the bands she is seeking to be categorised with and stand
tall beside.
The most endearing moments of the night came between songs, when she rallied against Heat magazine, and encouraged her fans “to do whatever they want to do” in life. She encourages them to send their music to her via her blog
and is visibly taken aback, when a fan instantly handed her their demo
CD. The crowd also threw bras at the stage which she hung over the
tuning forks of her bass. It’s a shame the music didn’t live up to the
banter and the girl power manifesto, because Kate Nash is capable of
producing far better material. Let’s hope her third album’s material is
more listenable on record than it is live.
Photo courtesy of abetarrush.wordpress.com
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